Enfin Atelier
- ab-lambert
- May 26, 2023
- 1 min read
Updated: Mar 24
Maybe it's because pottery saved me from a future that didn't suit me, or because I feel every gesture in the present as I touch the clay, but the themes of healing and difference are recurrent in my work. While collections such as Le Remède and My medicine need no elaboration as to their meaning, other collections echo this theme with subtlety. The new Sans doute collection, for example, whose intention is to illustrate that our place may not be where it should be, but it remains valid, brings together the marginalized who have a less traditional vision of beauty.
All the other models are tinged with finesse and softness by the mint and peach colors and are edged with simple, delicate patterns that are comforting.
Another part of my practice is more illustrative and intuitive. It's important for me to keep a space for creation and exploration. The result is unique pieces that display an illustration or drawing that links me with the world of the Visual Arts, in which I've evolved all my life.
This humble profession, filled with artisans who advocate the sharing of knowledge, keeps me curious and in constant artistic evolution. The 1001 pots event is all about meeting others, asserting yourself and validating that you're not just passing through.
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